A Chairy Tale

Faisant de la relation de l'homme avec la chaise un symbole de l'exploitation, Claude Jutra et Norman McLaren mettent en scène de manière fantaisiste une éblouissante pantomime cinématographique dans laquelle la révolte de l'objet normalement inanimé débouche sur un ordre des choses plus équitable ...

An experiment in the exact synchronization of sound and image. Sound cards were photographed directly onto both the film and the soundtrack, allowing Norman McLaren to produce a perfect synchronization of image and sound.

There was a time when the general store was the crossroads of life, a place where a boy could learn all he needed for the way ahead--especially when his uncle was the storekeeper, and also the undertaker, and the nephew often called upon to lend a hand. This film recalls such a store in a village in the asbestos mining area of Quebec in the early 1940s. The film presents a hundred-and-one vignettes of village life--all the bitter-sweet nostalgia with which a man might remember the events that thrust him into manhood. The action takes place on Christmas Eve--the one time of the year when the mine closed its doors, and the store bustled with humanity. For a few hours the villagers could forget their poverty and converge on the store for gossip and revelry. In the midst of it all was Uncle Antoine, customary ebullience and ribald humour whetted by occasional recourse to the gin bottle, and always somewhere in the background, his nephew Jacques taking it all in. But for Jacques this night was to bring sudden initiation into some of the harsher, cruder realities of life, even acquaintance with tragedy and death. Mon oncle Antoine is about a Quebec that makes no headlines but reflects the whole of life, the ebb and flow of hope and despair that might be in anyone's memory. In French with English subtitles.