Life Begins in January

A film about the people of Saigon as seen through the experiences of three young American journalists who, in 1970, explored in their own way the consequences of war and of the American presence. It is not a film about the Vietnam war, or the rights or wrongs of it, but about the people who lived on the fringe of battle. The views of the city are arresting; but away from the shrines and the open-air markets lay another city, swollen with refugees and war orphans, where every inch of habitable space was coveted.

Soorgul and Amir were two of many Afghan children sent to Tajikistan during the Soviet occupation of their country. When the Soviet Union collapsed, the civil wars that broke out on both sides of the border left the children stranded. They were meant to be in Tajikistan only temporarily, to attend school. Instead, they became stranded there, unable to leave the country until Canada accepted them as refugees. It took 16 years before they could return home. In The Sweetest Embrace Soorgul and Amir return to their country in search of their families. They travel in NGO vehicles (until it becomes too dangerous), then local vans - and finally, when rock-strewn roads become completely impassable, finish their journey on foot through some of Afghanistan's highest mountains. But when their paths diverge, their futures become filled with unexpected and unpredictable turns as they seek to find resolution in their lives. The Sweetest Embrace tells an intimate story set against one of the world's most harsh and yet beautiful landscapes, in a land where life has been shaped by war and hardship but where spirit remains resilient.

In 1992 a young Iranian student hanged himself on the outskirts of a small Ontario town. Having escaped the Ayatollah's regime and found a new home in Canada, he could not escape his past. News of the young stranger's death hit home with Masoud Raouf. He too was part of the generation who fought for democracy during the reign of the Shah. With The Tree that Remembers, Raouf assembled a group of Iranians - all former political prisoners like himself, who were active in the democratic movement. Blending their testimony with historical footage and original artwork, he honours the memory of the dead and celebrates the resilience of the living.